North Carolina Symphony trio Libbie Phelps, Sam Gold and Nathaniel Yaffe perform Bach’s famous Goldberg Variations. The piece was originally written for keyboard and is widely accepted as one of the most important and prolific examples of variation form.
A time for Christians to remember and celebrate those loved ones who have departed this life for the next, this All Saints Day program honors all those from our parish who have died. The Choir of Men and Girls and the Adult Choir perform Sir John Tavener’s Song for Athene, sung as Princess Diana’s coffin departed Westminster Abbey and Vivaldi’s famous Gloria, in period style.
David Jernigan, Christ Church Organist/Choirmaster, performs music from Johann Sebastian Bach’s most extensive work for organ, the Clavier-Ubüng III (Meaning “Keyboard Practice”). The Prelude and Fugue in E-flat major, considered by many to be Bach’s single greatest contrapuntal work, bookends this collection of choral preludes written to showcase all possible styles of contrapuntal writing.
Schola Cantorum and the N.C. Baroque Chamber Players team up to perform two of Bach’s earliest cantatas, the profound requiem-cantata, Actus Tragicus, and the Lenten cantata, Aus der Tiefen. Brandenburg Concerto No. 6, written for Prince Leopold at the court of Köthen shows Bach’s mastery of composition for chamber music.
This combined concert and hymn-sing showcases the great hymns and anthems of the Episcopal/Anglican musical tradition. Hymns such as Praise to the Lord the Almightyand Lo he comes with clouds descending are given new life with brass arrangements and descants while Williams Walton’s Coronation Te Deum displays the very best of ceremonial music for choir, organ, and brass.